English Language and Literature | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | ELL252 | ||||||||
Ders İsmi: | Fiction and Film | ||||||||
Ders Yarıyılı: |
Spring |
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Ders Kredileri: |
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Language of instruction: | English | ||||||||
Ders Koşulu: | |||||||||
Ders İş Deneyimini Gerektiriyor mu?: | Yes | ||||||||
Type of course: | Bölüm Seçmeli | ||||||||
Course Level: |
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Mode of Delivery: | E-Learning | ||||||||
Course Coordinator : | Asst. Prof. Dr. SEMA BULUTSUZ | ||||||||
Course Lecturer(s): |
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Course Assistants: |
Course Objectives: | Provide a historical perspective in terms of the development of audio-visual languages and teach special techniques of reading them. |
Course Content: | A comparison of adaptations of literary works in terms of literary and cinematic technniques and theories A comparative approach to different genres of cinema |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Introduction to the history of cinema: difference between visual and written languages, basic terms and concepts of cinema and film criticism | Hugo Münsterberg, “The Means of the Photoplay” Rudolf Arnheim, “Film and Reality,” Rudolf Arnheim, “The Complete Film” |
2) | Genres: gangster, film noir, horror film, thriller, science-fiction, adventure | Andre Bazin, “The Evolution of the Language of Cinema” Thomas Schatz: “Film Genre and the Genre Film”. |
3) | George Orwell’s "1984" as a distopian fiction: function of language in disseminating lies and suppressing the truth, war and human relationships | George Orwell, 1984 Siegfried Kracauer, “The Establishment of Physical Existence |
4) | Michael Radford’s 1984 as a science fiction film: Comparison of foregrounded issues and scenes in the novel and the film | Michael Radford’s "1984" |
5) | "The Tempest" by Shakespeare: a close reading of each scene 1. Aristocracy and the lower class 2. Fathers and daughters 3. Fight for power 4. Nature and civilization 5. Utopian desire versus real life | Shakespeare: "The Tempest" |
6) | The Tempest: A close reading of each scene 1. Fathers and sons 2. Suppression of the female principle 3. Suppression of the other 4. End of the play: the problem of evil and the possibilities of reconciliation 5. Function of art | Shakespeare: "The Tempest" |
7) | Peter Greenaway’s adaptation of "The Tempest" as film: "Prospero’s Books" Comparison of scenes and the significance of the choise of a new title for a re-writing of The Tempest. | Peter Greenaway's film "Prospero's Books" |
8) | Aimee Cesaire’s rewriting of Shakespeare's play from an anti-colonialist perspective: “A Tempest" | Aimee Cesaire: "A Tempest" |
9) | Derek Jarman’s film, "Tempest" in comparison with Shakespeare and Greenaway | Derek Jarman’s film, "Tempest" |
10) | Auteurs: Elia Suleiman: Divine Intervention | Elia Suleiman: Divine Intervention |
11) | Auteurs: Tolga Karaçelik: "Kelebekler" | Tolga Karaçelik: Kelebekler |
12) | Documentaries: Anthropocene, Ecology and Film | Vandana Shiva’s struggle against Monsanto and the film “Seeds” Tree Huggers and the Chipko Movement in India |
13) | Documentaries: Films on ecology | Sarıkeçililer, Alakır Kardeşliği, Wangari Maathai |
14) | Orhan Kemal: "Bereketli Topraklar Üzerinde" | Orhan Kemal: "Bereketli Topraklar Üzerinde" |
15) | Erden Kıral's adaptation of "Bereketli Topraklar Üzerinde." A comparative discussion of the novel and the film | Erden Kıral's film: "Bereketli Topraklar Üzerinde" |
Course Notes / Textbooks: | Leo Braudy and Marshall Cohen: "Film Theory and Criticism: Introductory Reading." Hugo Münsterberg, “The Means of the Photoplay” Rudolf Arnheim, “Film and Reality,” Rudolf Arnheim, “The Complete Film” Andre Bazin, “The Evolution of the Lan7. Peter Greenaway’s film, Prospero’s Booksguage of Cinema” Thomas Schatz: “Film Genre and the Genre Film” George Orwell, "1984" Siegfried Kracauer, “The Establishment of Physical Existence" Michael Radford, "1984" Bela Balazs, “The close-up” Shakespeare, "The Tempest" Peter Greenaway, "Prospero’s Books" Aimee Cesaire, "A Tempest" Derek Jarman, "Tempest" Elia Suleiman, "Divine Intervention" Tolga Karaçelik, "Kelebekler" Vandana Shiva, "Seeds" Erden Kıral, "Bereketli Topraklar Üzerinde" Orhan Kemal, "Bereketli Topraklar Üzerinde" |
References: | Leo Braudy and Marshall Cohen: "Film Theory and Criticism: Introductory Reading. "Hugo Münsterberg, “The Means of the Photoplay” Rudolf Arnheim, “Film and Reality,” Rudolf Arnheim, “The Complete Film” Andre Bazin, “The Evolution of the Language of Cinema” Thomas Schatz: “Film Genre and the Genre Film” George Orwell, 1984 Siegfried Kracauer, “The Establishment of Physical Existence” Michael Radford’s 1984 Bela Balazs, “The close-up” Shakespeare, "The Tempest" Peter Greenaway, "Prospero’s Books" Aimee Cesaire, "A Tempest" Derek Jarman, "Tempest" Elia Suleiman, "Divine Intervention" Tolga Karaçelik:, "Kelebekler" Vandana Shiva, "Seeds" Erden Kıral, "Bereketli Topraklar Üzerinde" Orhan Kemal, "Bereketli Topraklar Üzerinde" |
Ders Öğrenme Kazanımları | 1 |
2 |
3 |
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Program Outcomes | ||||||||||||||
1) To have sufficient knowledge about literary genres, concepts and terms and to be able to use literary, critical, historical and linguistic approaches in text analysis. | ||||||||||||||
2) To be able to understand the phonics, morphological, semantic and etymological properties of English. | ||||||||||||||
3) To provide oral and written presentations about the field and provide the equipment to present. To have a rich vocabulary for this transfer, to have the correct expression and the ability of discourse, and to master the writing rules. | ||||||||||||||
4) To interpret and evaluate literary texts using advanced knowledge and skills in the field, to analyze language, to produce explanations and inferences based on research and evidence. | ||||||||||||||
5) To have a worldview that is aware of and interrogates elements such as language, religion, gender, cultural and sexual identities and differences. | ||||||||||||||
6) Practices the advanced theoretical knowledge of the field in the literary texts and related areas | ||||||||||||||
7) To be able to write texts such as research articles and dissertations by taking advantage of various academic sources. | ||||||||||||||
8) To see how society is shaped every century, to gain models that will be examples of how to adapt to social life and behave according to ethical rules. | ||||||||||||||
9) to possess both the basics of the field and current and advanced practicing knowledges | ||||||||||||||
10) To transmit the sources and works related to the field into Turkish by reading and comprehending them | ||||||||||||||
11) To be able to transfer the knowledge gained by culture and literature, communication skills, critical perspective and flexibility to other areas of life (teaching, guidance, interpreting, international relations, editorial, etc.). | ||||||||||||||
12) To adopt English Literature, culture and history as well as American culture and American Literature with American history. | ||||||||||||||
13) Builds competence in informing and communicating the society on the popular subjects of the field. | ||||||||||||||
14) To be able to follow the theoretical studies by acquiring advanced field knowledge and to communicate with colleagues and to be able to work in projects abroad. | ||||||||||||||
15) To have the necessary language, research and communication skills and a strong general culture to work in the public and private sectors. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To have sufficient knowledge about literary genres, concepts and terms and to be able to use literary, critical, historical and linguistic approaches in text analysis. | |
2) | To be able to understand the phonics, morphological, semantic and etymological properties of English. | |
3) | To provide oral and written presentations about the field and provide the equipment to present. To have a rich vocabulary for this transfer, to have the correct expression and the ability of discourse, and to master the writing rules. | |
4) | To interpret and evaluate literary texts using advanced knowledge and skills in the field, to analyze language, to produce explanations and inferences based on research and evidence. | |
5) | To have a worldview that is aware of and interrogates elements such as language, religion, gender, cultural and sexual identities and differences. | |
6) | Practices the advanced theoretical knowledge of the field in the literary texts and related areas | |
7) | To be able to write texts such as research articles and dissertations by taking advantage of various academic sources. | |
8) | To see how society is shaped every century, to gain models that will be examples of how to adapt to social life and behave according to ethical rules. | |
9) | to possess both the basics of the field and current and advanced practicing knowledges | |
10) | To transmit the sources and works related to the field into Turkish by reading and comprehending them | |
11) | To be able to transfer the knowledge gained by culture and literature, communication skills, critical perspective and flexibility to other areas of life (teaching, guidance, interpreting, international relations, editorial, etc.). | |
12) | To adopt English Literature, culture and history as well as American culture and American Literature with American history. | |
13) | Builds competence in informing and communicating the society on the popular subjects of the field. | |
14) | To be able to follow the theoretical studies by acquiring advanced field knowledge and to communicate with colleagues and to be able to work in projects abroad. | |
15) | To have the necessary language, research and communication skills and a strong general culture to work in the public and private sectors. |
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