Week |
Subject |
Related Preparation |
1) |
Light and dark composition, Observational study on interior and exterior |
Drawing/reading within the subject |
2) |
Color saturation in gray tone values, Imaginative work on interior and exterior |
Drawing/reading within the subject |
3) |
Working on depth in space using complementary color contrast, composition wheels, artificial light and natural light |
Drawing/reading within the subject |
4) |
Distribution areas of tonal and saturated values of complementary colors in the composition |
Drawing/reading within the subject |
5) |
Volumeization of the form with warm and cold color contrasts, Close-up and distant-plan studies with the use of perspective |
Drawing/reading within the subject |
6) |
Cold and warm color contrasts in the composition. Study questioning the concept of depth in space |
Drawing/reading within the subject |
7) |
A study in which the cold, warm and color contrasts in the composition will be shown, the ratio-proportion relations of the figure in a closed space. |
Drawing/reading within the subject |
8) |
MIDTERM EXAM |
|
9) |
Searching for color in tonal equality. The work in which the figure will show the ratio-proportion relations in the outdoors |
Drawing/reading within the subject |
10) |
Questioning the plans of the painting with the concepts of balance and harmony in color rhythm, single-figure and multi-figure compositions |
Drawing/reading within the subject |
11) |
The study will be created by considering the concepts of local color and superficial form, balance and rhythm in the composition. |
Drawing/reading within the subject |
12) |
Transferring the interpretations and analyzes of the figures used in the outdoor paintings from the Renaissance to the present day with the collage method, depending on their position in the composition. |
Drawing/reading within the subject |
13) |
Color psychology and atmosphere. The work that breaks the figure geometrically and places it in the space with the use of perspective. |
Drawing/reading within the subject |
14) |
The work that breaks the figure geometrically and places it in the space with the use of Texture Perspective. |
Drawing/reading within the subject |
15) |
FINAL EXAM |
|
Course Notes / Textbooks: |
Yok |
References: |
Sanatın Öyküsü (Cep boy), E.H. Gombrich, Remzi Kitabevi Sanat ve Yanılsama, E.H. Gombrich, Remzi Kitabevi Romantizm, Francis Claudon, Remzi Kitabevi Rönesanstan Günümüze Resim Sanatı tarihi, Anna Carola Krausse Felsefenin Işığında Modern Resim, İsmail Tunalı, Prof., Remzi Kitabevi Empresyonizm (İzlenimcilik), Mark Powell-Jones, Remzi Kitabevi Modern Sanatın Öyküsü, Norbert Lynton, Remzi Kitabevi Resim Sanatının Tarihi, Sezer Tansuğ, Remzi Kitabevi Empresyonizm, Maurice Sérullaz, Remzi Kitabevi Sembolizm, Jean Cassou, Remzi Kitabevi Sanatı Görmek, Bates Lowry, İş bankası Yayınları, 1972HARVEY David, Postmoderliğin durumu, Metis Yayınları,2003Gombrich E.H., Sanat ve Yanılsama, Remzi Kitapevi,1992BAUDRİLLARD Jean, Sanat komplosu, İletişim Yayınları,2010 |
|
Program Outcomes |
Level of Contribution |
1) |
Student gains the ability to produce original works of art and to works interdisciplinary. |
5 |
2) |
Student gains the ability to research, analyzes and evaluates art works |
5 |
3) |
Student gains critical thinking skills. |
4 |
4) |
Student gains the ability to define and apply the techniques of artistic materials. |
5 |
5) |
Student gains the ability to express herself/himself in the artistic field. |
5 |
6) |
Student gains the ability to use the techniques and innovations required in the artistic field. |
5 |
7) |
Student gains the ability to look at the innovations and changes of the age from an artistic point of view. |
4 |
8) |
Student gains the ability to transfer creativity to visuality. |
5 |
9) |
Student gains the ability to research, observe, interpret and evaluate. |
4 |
10) |
Student gains the ability to share social, cultural and societal problems with the society, together with professional self-confidence in the artistic field. |
4 |
11) |
Student gains the ability to choose the most appropriate tools and demonstrates the necessary technical competence while transforming a content, concept into an art work |
4 |
12) |
Student gains the ability to see and perceive the order, knowledge and functioning of nature with an aesthetic point of view. |
4 |