Radio, Television and Cinema
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Ders Genel Tanıtım Bilgileri

Course Code: RTF112
Ders İsmi: Cinema History II
Ders Yarıyılı: Spring
Ders Kredileri:
Theoretical Practical Laboratory ECTS
4 0 0 5
Language of instruction: Turkish
Ders Koşulu:
Ders İş Deneyimini Gerektiriyor mu?: No
Type of course: Required
Course Level:
Bachelor TR-NQF-HE:6. Master`s Degree QF-EHEA:First Cycle EQF-LLL:6. Master`s Degree
Mode of Delivery: Face to face
Course Coordinator : Assoc. Prof. Dr. CEM YILDIRIM
Course Lecturer(s): Assoc. Prof. Dr. CEM YILDIRIM
Course Assistants:

Dersin Amaç ve İçeriği

Course Objectives: The aim of this course is to examine the trends and trends in world cinema through the cinemas of various countries, to discuss the emerging differences, and to examine the development of the history of cinema until today.
Course Content: In this course, the evolution of cinema into an industry and the emergence of different film genres, taking into account its socio-political, economic and cultural backgrounds, are examined.

Learning Outcomes

The students who have succeeded in this course;
Learning Outcomes
1 - Knowledge
Theoretical - Conceptual
1) Develops critical thinking skills on the relationship between the history of cinema and culture and ideology.
2 - Skills
Cognitive - Practical
1) Examines the industrial development of cinema.
3 - Competences
Communication and Social Competence
Learning Competence
1) Recognizes the movie genres in the history of cinema.
2) Examines the importance of socio-political, cultural and industrial development for the country's cinema.
Field Specific Competence
1) Interprets the information obtained through current examples.
Competence to Work Independently and Take Responsibility

Ders Akış Planı

Week Subject Related Preparation
1) Poetic Realism: Jean Renoir, Jean Vigo ve Marcel Carne.
2) World War II and European Cinema. Cinema and Leni Riefenstahl in Nazi Germany.
3) Italian Neorealistic Cinema 1: Cesare Zavattini, Vittorio De Sica
4) Italian Neorealistic Cinema 2: Roberto Rossellini and Luchino Visconti.
5) American Cinema After WWII : Orson Welles
6) American Cinema After WWII: Alfred Hitchcock.
7) FRENCH NEW WAVE CINEMA: Jean-Luc Godard
8) Midterm
9) RENCH NEW WAVE CINEMA: François Truffaut
10) Cinema-Verite and Direct Cinema
11) Japanese Cinema: Yasujirō Ozu and Akira Kurosawa
12) Creative Directors of Post-1960 European Cinema: Luis Buñuel, Ingmar Bergman, Michelangelo Antonioni
13) Creative Directors of Post-1960 American Cinema: Martin Scorsese, Francis Ford Coppola, and Woody Allen.
14) Digital Cinema Technologies and New Possibilities in Filmmaking.

Sources

Course Notes / Textbooks: 1. Dünya Sinema Tarihi, Geoffrey Nowel-Smith, Kabalcı Yayınevi.
2. Film History-An Introduction, Kristin Thompson, David Bordwell, The McGraw-Hill Company.
3. Film: An International History of the Medium, Robert Sklar, Prentice Hall.
4. Rekin Teksoy'un Sinema Tarihi (1-2), Rekin Teksoy, Oğlak Yayıncılık.
5. Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution, Brian McKernan, McGraw-Hill Education.
References: 1. Dünya Sinema Tarihi, Geoffrey Nowel-Smith, Kabalcı Yayınevi.
2. Film History-An Introduction, Kristin Thompson, David Bordwell, The McGraw-Hill Company.
3. Film: An International History of the Medium, Robert Sklar, Prentice Hall.
4. Rekin Teksoy'un Sinema Tarihi (1-2), Rekin Teksoy, Oğlak Yayıncılık.
5. Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution, Brian McKernan, McGraw-Hill Education.

Ders - Program Öğrenme Kazanım İlişkisi

Ders Öğrenme Kazanımları

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Program Outcomes

Ders - Öğrenme Kazanımı İlişkisi

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution

Assessment & Grading

Semester Requirements Number of Activities Level of Contribution
Midterms 1 % 50
Final 1 % 50
total % 100
PERCENTAGE OF SEMESTER WORK % 50
PERCENTAGE OF FINAL WORK % 50
total % 100