Radio, Television and Cinema | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | RTF112 | ||||||||
Ders İsmi: | Cinema History II | ||||||||
Ders Yarıyılı: | Spring | ||||||||
Ders Kredileri: |
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Language of instruction: | Turkish | ||||||||
Ders Koşulu: | |||||||||
Ders İş Deneyimini Gerektiriyor mu?: | No | ||||||||
Type of course: | Required | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Assoc. Prof. Dr. CEM YILDIRIM | ||||||||
Course Lecturer(s): |
Assoc. Prof. Dr. CEM YILDIRIM |
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Course Assistants: |
Course Objectives: | The aim of this course is to examine the trends and trends in world cinema through the cinemas of various countries, to discuss the emerging differences, and to examine the development of the history of cinema until today. |
Course Content: | In this course, the evolution of cinema into an industry and the emergence of different film genres, taking into account its socio-political, economic and cultural backgrounds, are examined. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Poetic Realism: Jean Renoir, Jean Vigo ve Marcel Carne. | |
2) | World War II and European Cinema. Cinema and Leni Riefenstahl in Nazi Germany. | |
3) | Italian Neorealistic Cinema 1: Cesare Zavattini, Vittorio De Sica | |
4) | Italian Neorealistic Cinema 2: Roberto Rossellini and Luchino Visconti. | |
5) | American Cinema After WWII : Orson Welles | |
6) | American Cinema After WWII: Alfred Hitchcock. | |
7) | FRENCH NEW WAVE CINEMA: Jean-Luc Godard | |
8) | Midterm | |
9) | RENCH NEW WAVE CINEMA: François Truffaut | |
10) | Cinema-Verite and Direct Cinema | |
11) | Japanese Cinema: Yasujirō Ozu and Akira Kurosawa | |
12) | Creative Directors of Post-1960 European Cinema: Luis Buñuel, Ingmar Bergman, Michelangelo Antonioni | |
13) | Creative Directors of Post-1960 American Cinema: Martin Scorsese, Francis Ford Coppola, and Woody Allen. | |
14) | Digital Cinema Technologies and New Possibilities in Filmmaking. |
Course Notes / Textbooks: | 1. Dünya Sinema Tarihi, Geoffrey Nowel-Smith, Kabalcı Yayınevi. 2. Film History-An Introduction, Kristin Thompson, David Bordwell, The McGraw-Hill Company. 3. Film: An International History of the Medium, Robert Sklar, Prentice Hall. 4. Rekin Teksoy'un Sinema Tarihi (1-2), Rekin Teksoy, Oğlak Yayıncılık. 5. Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution, Brian McKernan, McGraw-Hill Education. |
References: | 1. Dünya Sinema Tarihi, Geoffrey Nowel-Smith, Kabalcı Yayınevi. 2. Film History-An Introduction, Kristin Thompson, David Bordwell, The McGraw-Hill Company. 3. Film: An International History of the Medium, Robert Sklar, Prentice Hall. 4. Rekin Teksoy'un Sinema Tarihi (1-2), Rekin Teksoy, Oğlak Yayıncılık. 5. Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution, Brian McKernan, McGraw-Hill Education. |
Ders Öğrenme Kazanımları | 1 |
2 |
3 |
4 |
5 |
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Program Outcomes |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 50 |
Final | 1 | % 50 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 50 | |
PERCENTAGE OF FINAL WORK | % 50 | |
total | % 100 |