English Language and Literature | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | ELL311 | ||||||||
Ders İsmi: | Modern Literature I | ||||||||
Ders Yarıyılı: | Fall | ||||||||
Ders Kredileri: |
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Language of instruction: | English | ||||||||
Ders Koşulu: | |||||||||
Ders İş Deneyimini Gerektiriyor mu?: | Yes | ||||||||
Type of course: | Required | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Asst. Prof. Dr. SEMA BULUTSUZ | ||||||||
Course Lecturer(s): |
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Course Assistants: |
Course Objectives: | To make an introduction to the changing conditions of the world and of culture in terms of science, philosophy and art at the beginning of the twentieth century and to develop a comprehensive understanding of the modernist era. |
Course Content: | Examples of prose, poetry and short story from English and world literature to comprehend the world outlook and writing techniques of modernism |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Introduction to the Course | Willa Cather, “The Novel Demeuble” Marianne Dekoven, “Modernism and Gender” |
2) | How and why modernists re-write the old stories | Sylvia Townsend Warner, “Women as Writers” Sylvia Townsend Warner,”“Bluebeard’s Daughter” Angela Carter, “The Bloody Chamber” Perrault's fairy tale “Bluebeard” |
3) | T. S. Eliot, “Tradition and Individual Talent" Rebecca West, “What is Mr. Eliot’s authority as a Critic” May Sinclair, “Prufrock and Other Observations” | T. S. Eliot, “Tradition and Individual Talent" Rebecca West, “What is Mr. Eliot’s authority as a Critic” May Sinclair, “Prufrock and Other Observations” |
4) | T. S. Eliot, “The Love Song of J. A. Prufrock" | |
5) | T. S. Eliot “The Waste Land | |
6) | Ezra Pound | Ezra Pound, “A Retrospect” Ezra Pound, “A Few Donts” Ezra Pound, “In a Station of the Metro” May Sinclair “The Reputation of Ezra Pound” |
7) | Hilda Doolittle, H.D. | H.D., “Notes on Thought and Vision” H.D. "Oread" H.D. “Cities" H.D., “Sheltered Garden” H.D. "Eurydice" H.D. "Sea Rose" May Sinclair “The Poems of H.D.” |
8) | Rebecca West | Rebecca West, “The World’s Worst Failure” Rebecca West, “Indissoluble Matrimony” Rebecca West, “How Writing is Written |
9) | Antonia White | Antonia White, “The House of Clouds” |
10) | W. B. Yeats | William Butler Yeats: "The Second Coming," "Easter 1916," "No Second Troy," "Sailing to Byzantium", "Crazy Jane" poems |
11) | Literary Paternity Anna Wickham | Anne Wickham, “Divorce”, Anne Wickham, “The Angry Woman” Sandra Gilbert, Literary Paternity |
12) | Dorothy Richardson | D. Richardson, "Women and Future" |
13) | Dorothy Richardson | Dorothy Richardson, " About Punctuation" |
14) | Gertrude Stein | Gertrude Stein, “What Are Master-pieces and Why Are There so Few of Them,” |
Course Notes / Textbooks: | Willa Cather, “The Novel Demeuble” Marianne Dekoven, “Modernism and Gender” Sylvia Townsend Warner, “Women as Writers” Sylvia Townsend Warner,”“Bluebeard’s Daughter” Angela Carter, “The Bloody Chamber” Perrault's fairy tale “Bluebeard” Edna St. Vincent, "Bluebeard" T. S. Eliot, “The Love Song of J. A. Prufrock,” Rebecca West, “What is Mr. Eliot’s authority as a Critic” May Sinclair, “Prufrock and Other Observations” T. S. Eliot, “Tradition and Individual Talent” T. S. Eliot “The Waste Land H.D., “Notes on Thought and Vision” H.D. “Cities" H.D., “Sheltered Garden” H.D. "Eurydice" May Sinclair “The Poems of H.D.” Ezra Pound, “A Retrospect” Ezra Pound, “A Few Donts” Ezra Pound, “In a Station of the Metro” May Sinclair “The Reputation of Ezra Pound” Rebecca West, “The World’s Worst Failure” Rebecca West, “Indissoluble Matrimony” Rebecca West, “How Writing is Written” Antonia White, “The House of Clouds” William Butler Yeats, "The Second Coming," "Easter 1916," "No Second Troy," "Sailing to Byzantium", "Crazy Jane" poems Anne Wickham, “Divorce”, Anne Wickham, “The Angry Woman” Sandra Gilbert, Literary Paternity Dorothy Richardson, “Women and the Future” Dorothy Richardson, “About Punctuation” Gertrude Stein, “What Are Master-pieces and Why Are There so Few of Them,” |
References: | Michael Levenson, ed. Cambridge Companion to Modernism Bonnie Kime Scott, ed. The Gender of Modernism: A Critical Anthology |
Ders Öğrenme Kazanımları | 1 |
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Program Outcomes | ||||||||||||||
1) To have sufficient knowledge about literary genres, concepts and terms and to be able to use literary, critical, historical and linguistic approaches in text analysis. | ||||||||||||||
2) To be able to understand the phonics, morphological, semantic and etymological properties of English. | ||||||||||||||
3) To provide oral and written presentations about the field and provide the equipment to present. To have a rich vocabulary for this transfer, to have the correct expression and the ability of discourse, and to master the writing rules. | ||||||||||||||
4) To interpret and evaluate literary texts using advanced knowledge and skills in the field, to analyze language, to produce explanations and inferences based on research and evidence. | ||||||||||||||
5) To have a worldview that is aware of and interrogates elements such as language, religion, gender, cultural and sexual identities and differences. | ||||||||||||||
6) Practices the advanced theoretical knowledge of the field in the literary texts and related areas | ||||||||||||||
7) To be able to write texts such as research articles and dissertations by taking advantage of various academic sources. | ||||||||||||||
8) To see how society is shaped every century, to gain models that will be examples of how to adapt to social life and behave according to ethical rules. | ||||||||||||||
9) to possess both the basics of the field and current and advanced practicing knowledges | ||||||||||||||
10) To transmit the sources and works related to the field into Turkish by reading and comprehending them | ||||||||||||||
11) To be able to transfer the knowledge gained by culture and literature, communication skills, critical perspective and flexibility to other areas of life (teaching, guidance, interpreting, international relations, editorial, etc.). | ||||||||||||||
12) To adopt English Literature, culture and history as well as American culture and American Literature with American history. | ||||||||||||||
13) Builds competence in informing and communicating the society on the popular subjects of the field. | ||||||||||||||
14) To be able to follow the theoretical studies by acquiring advanced field knowledge and to communicate with colleagues and to be able to work in projects abroad. | ||||||||||||||
15) To have the necessary language, research and communication skills and a strong general culture to work in the public and private sectors. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To have sufficient knowledge about literary genres, concepts and terms and to be able to use literary, critical, historical and linguistic approaches in text analysis. | |
2) | To be able to understand the phonics, morphological, semantic and etymological properties of English. | |
3) | To provide oral and written presentations about the field and provide the equipment to present. To have a rich vocabulary for this transfer, to have the correct expression and the ability of discourse, and to master the writing rules. | |
4) | To interpret and evaluate literary texts using advanced knowledge and skills in the field, to analyze language, to produce explanations and inferences based on research and evidence. | |
5) | To have a worldview that is aware of and interrogates elements such as language, religion, gender, cultural and sexual identities and differences. | |
6) | Practices the advanced theoretical knowledge of the field in the literary texts and related areas | |
7) | To be able to write texts such as research articles and dissertations by taking advantage of various academic sources. | |
8) | To see how society is shaped every century, to gain models that will be examples of how to adapt to social life and behave according to ethical rules. | |
9) | to possess both the basics of the field and current and advanced practicing knowledges | |
10) | To transmit the sources and works related to the field into Turkish by reading and comprehending them | |
11) | To be able to transfer the knowledge gained by culture and literature, communication skills, critical perspective and flexibility to other areas of life (teaching, guidance, interpreting, international relations, editorial, etc.). | |
12) | To adopt English Literature, culture and history as well as American culture and American Literature with American history. | |
13) | Builds competence in informing and communicating the society on the popular subjects of the field. | |
14) | To be able to follow the theoretical studies by acquiring advanced field knowledge and to communicate with colleagues and to be able to work in projects abroad. | |
15) | To have the necessary language, research and communication skills and a strong general culture to work in the public and private sectors. |
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